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ATTITUDE
Attitude is everything. Overconfidence will get
you killed. Mishandling fear will get you killed. Irresolution will
get you killed. Your mind is your greatest weapon. This is a matter
of strategic thinking, not tactical thinking.
• Tactics are a matter of feel.
• Strategy is a matter of mind.
• Commitment is a matter of will.
Attitude is a combination of all three. Thinking-awareness
and feeling-awareness are two different things. Both are part of
attitude. Mental focus is a product of attitude. When you are focused
on destroying the enemy, not focused on yourself, you function more
efficiently and more effectively. In this way you channel your fear
outward rather than inward, turning it into a weapon.
Many people believe that because you are a black
belt, you no longer “fear.” Only an idiot has no fear
before a violent confrontation. A martial artist experiences fear
just like everyone else. The difference is what he does with it.
Fear is your friend. Fear produces adrenaline, helps prevent you
from becoming careless or overconfident, and increases your awareness.
A martial artist recognizes his fear, channels the fear, and unleashes
it outward, so that the more frightened he is, the more dangerous
he becomes. The untrained mind, lacking outward focus, will turn
on itself, and crumble you inward. On a very elementary, almost
comic book level, it’s the difference between, “Uh-oh,
I’m in trouble,” and, “Man, are you
in for a surprise!” Or the classic paratroopers attitude,
“They have us surrounded, the poor bastards.”
In combat, many heroic acts are motivated by
fear of letting your men down. Fear of failing to do your duty is
often stronger that the will to simply overcome your fear. Love
conquers fear. Heroism is often the product of love. One will risk
one’s life despite great fear, to save one’s child,
wife, or friend. Fear of the shame one will have to live with for
behaving cowardly, can be greater than the fear of death. An action
that looks “fearless” to an observer may simply be motivated
by a fear of something greater than the apparent danger. Fear is
a positive emotion. Use it well.
Butterflies, a pounding heart, weakness in the
knees – these are not signs of weakness; they are signs of
surplus energy, an inner surplus. They are indications of a preparedness
for violence. A weak mind, an improperly focused attitude, will
feel these things and collapse inward, focusing on these physical
manifestations of fear rather than on destroying the enemy. Internalized
fear is the mind-killer, the spirit killer.
Make friends with your fear. Use it. Control
it. Exploit it. Let it wash over you and through you, charging every
fiber of your being. Turn your fear onto your enemy, and let it
be the fuel that drives your attack. Let your fear explode upon
your enemy. Never ignore it. Do not fear it. It is the early-warning
radar system that will protect your life, or the lives of others.
Controlled fear is a focused energy of tremendous power. The more
focused and controlled it is, the more deadly you are.
Once a student reaches a certain level of expertise
in his fighting skills, once he has reached competence in technique,
his training escalates to another level. This level is rarely found
in any martial arts school, yet is absolutely critical in a fighter’s
development. He graduates to the school of fear. Only the most committed
student is capable of handling this level of training. Most, regardless
of their skill level, cannot emotionally handle training of this
intensity. Every time they come to train, they must be prepared
to face their fear. It is a difficult time for both Master and student,
because this is that critical point where even the most well developed
relationship is likely to fail. This is where even the best students
quit. Sometimes even friendships of many years end right here. Overcome
with shame, the student resigns, or even disappears without further
contact. Very few are strong enough emotionally to handle this level.
Like pushing the bird out of its nest, it is a difficult thing for
the instructor, falling under the category of tough love; because
even though it is likely that the relationship will end before this
level of training is complete, it must be done.
This level of combat, the level of intensity and
emotional stress, become an onslaught upon the student’s physical
and emotional being. Injuries are common, even essential. One must
be able to fight while wounded, ignoring pain and fear, to maintain
focus on the destruction of the enemy. This is one of the hardest
of lessons. The student is repeatedly attacked on every level, until
he is just about to crack. Then he is given a way out, an opening
to exploit. To find it and capitalize, he must maintain his focus.
He must conquer his fear so as not to close his inner eye. Its not
only that he cannot quit. Simple stubbornness is not the issue.
He cannot crumble from within. He cannot lose his focus. Every time
that he succeeds, he comes a little closer to conquering his fear.
Belief is meaningless. Recognition through hindsight
is everything. Believing you can control your fear, and actually
doing it over and over are two very different things. This is a
capability a student cannot assume. He has to know.
If emotional control is not mastered, at critical
moments in a conflict, you will lose your edge. A poor attitude,
a weakness of self-control, can result in an onslaught of tension,
rigidity, and loss of focus. According to “Murphy,”
this will of course happen at the least opportune time. You must
repeatedly expose yourself to fear in order to gain mastery over
it. You must develop your WILL. This is learned, not congenital.
The will to win must be a constant. It means that no amount of punishment,
no amount of effort, no condition is too tough to take, in order
to win. That is attitude. Training means driving yourself longer,
harder, and faster than required, all the time. Ordinary effort
will not tap or release the tremendous stores of energy in the human
body. Extraordinary effort, combined with highly emotionalized conditions
and true determination to win will release those adrenaline reserves.
It’s like a valve that you can learn to open at will, but
only with enough practice.
Fighting should be done with the heart and the
head, not with the hands and the feet. It is true that during the
time of actual combat, one does not think of how to fight but rather,
of the weakness or strength of the enemy, of possible openings and
opportunities. Fighting can only reach the level of art when performance
of skill is automatic and the cortex is free to think and to associate,
to make plans and to judge. The higher nerve centers will always
retain control and will act when necessary. It’s like pressing
a button to start or stop a machine.
On the surface, there is nothing obscure about
a warrior. The goal of a warrior’s training is, without slacking
off at any time and without confusion of purpose; to polish the
mind and attention, sharpen the eye that observes and the eye that
sees, and to know real emptiness as a state of being, in which there
is no obscurity and the clouds of confusion are all cleared away.
Embracing that mentality, taking straightforwardness
as basic, taking the real principled mind as the Way, practicing
the martial arts in the broadest sense, thinking correctly, clearly,
and comprehensively, taking emptiness as the Way, you see the Way
as emptiness.
Emptiness is totality. There is no such thing
as the ultimate guard in Trezza-Ryu. There is no ultimate specific
strike or kick or combination. It is only a matter of understanding
its effective qualities in your heart and mind – this is what
is essential to martial art. This is the fundamental truth of the
Way.
“The way of the Samurai is in death.”
To master combat, you must accept death. Only by accepting death
can you control your emotions in combat. Destroying the enemy must
be more important than your life. This NEVER means carelessness.
This is an emotional state in which your own death is not a factor.
The most efficient way to victory is ALL. Destruction of the enemy
is ALL.
One can never be the master of one’s self
unless all psychological hindrances are removed, maintaining the
mind in a state of emptiness (fluidity) purged of all preconceived
notions and anxieties. The more you learn the more you realize how
much you don’t know. Sartori is to be consciously unconscious,
or to be unconsciously conscious. That is the secret. The act is
so direct and immediate that intellectualization finds no room to
insert itself and cut the act apart.
Conscious thought decimates fluid
perfection.
The spirit is, no doubt, the controlling agent
of our existence. This invisible “center” controls every
movement in whatever external situation arises. It is thus flexible,
mobile, unfixed, never “stopping” in any place at any
moment. Preserve this state of spiritual freedom and non-attachment
as soon as you assume the fighting stance. Be “master of your
house.”
Trust in your training and your will. Whenever
possible, use the periphery of the kill-zone to study the style
of your enemy before deciding what method might beat him. Time is
a luxury not always provided – so when you get it, do not
waste it. Once attack is initiated, all technique is forgotten.
The unconscious must be left alone to handle the situation. The
technique will assert its wonders automatically or spontaneously.
To float in totality, to have no technique, is to have all technique.
That is the Zen of combat. Your knowledge and skill are meant to
be “forgotten” so you may function effectively and comfortably
in emptiness, without obstruction. Do not become a slave to learning
or technique. Any technique, however sound, becomes a weakness that
can become a disease when the mind is too attached to it.
Recollection, intellectualization, and anticipation
are fine qualities that distinguish the human mind from that of
the lower animals. But when actions are directly related to the
problems of life and death, these properties must be relinquished
for the sake of fluidity of thought and lightning speed of action.
“Technical knowledge is not
enough. One must transcend
techniques so that the art becomes an artless art,
growing out of the unconscious.”
* Daisetsu Suzuki
Make the tools see. All pure movements come out
of emptiness. This dynamic aspect of emptiness is the mind. Purity
is action with nothing between itself and its movements. Sharpen
the psychic power of seeing in order to act immediately in accordance
with what you see. Seeing takes place with the inner mind –
wholly and quietly alive, alert, and aware, ready for whatever might
come.
See with your senses. Mushen. No-mind. Sartori.
That is the secret…
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